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Spearfishing (Diadi, Nueva Vizacaya). Little boys spearfishing for little fishes with little success. (Photo by Raymund Villanueva / Bulatlat.com )
Is she a Gaby dela Merced in the making? The girl seems intent on following in the footsteps of the famous race car driver as she walks past a modified top-down Toyota Land Cruiser during the recent 4th Annual Baguio Car Show. (Photo by Ace Alegre)
What’s He Trying to Do? You can’t tell what the policeman is trying to do here. (Photo by Owen Segovia Bayog)
RoRo (Dis)Connection. More appropriately known as the Strong Republic Nautical Highway, the RoRo (Roll-on, Roll-Off) system aims to reduce the cost of inter-island travel and to speed up the development of trade and tourism. (Photo by Ayi Muallam)
24 hours of service. The four workers here risk lives and limbs working at dusk, yet are paid so little. (Photo by Raymund Villanueva)
No Fear of Falling
The possibility of suffering a bad fall from this wall in Smokey Mountain, Tondo, Manila is apparently the least of this boy’s worries. (Photo by Eric Sales)
More Than Loose Change
This man’s presence beside a pawnshop’s signboard depicts irony. (Photo by Owen Segovia Bayog)
Making Way For The Dead
The living makes way for the dead. (Photo by Raymund Villanueva)
Who is the Eldest and Who is the Youngest? It should be fairly easy to tell who among any number of siblings is older and who is younger….
(Photo by OWEN SEGOVIA BAYOG)
Ushering of a New Day. Rizal Street. (Photo by Owen Segovia Bayog)
Sons of Sacadas. Three sons of agricultural workers gather sugarcane to eat. In Negros island, known as Sugarlandia, children are vulnerable to malnutrition and hunger. (Photo by OWEN BAYOG)
‘Backyard’ View. You are looking at what serves as the “backyard” (actually, the laundry area) of one of several families in a relocation site in Mandaue City, Cebu. (Photo by RAYMUND VILLANUEVA)
Stamp ‘Congress’. The way these rubber stampers are gathered along a street in downtown Manila, they look as though they’re in a stamp “congress”. (Photo by RAYMUND VILLANUEVA)
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